Monday, May 2, 2016

The Intern (2015)

Starring Robert De Niro and Anne Hathaway, The Intern is the latest from writer/director Nancy Meyers. Known for her sharp and sly style of romantic comedies, Meyers's filmography is varied in terms of quality, but usually one can expect a good, fun ride. The Intern begins this way, but loses its impact in a third act that is drowning in cliches and loose ends. 




Ben Whittaker (De Niro) is a 70 year old retired widower living in New York. His son lives in San Francisco, so Ben rarely gets to see any of his surviving family. He is engaged in many "senior citizen" activities, like Tai Chi, in an attempt to be around people and feel relevant. Upon seeing an ad for a seniors internship program, Ben feels he has found something that could bring some happiness and much needed connection to his life. He soon becomes an intern at a new online fashion company started by Jules Ostin (Hathaway). The relationship is rocky at first, but they soon become confidants and best friends, Jules becoming the daughter Ben so desperately needs, and Ben the father figure Jules never had. 

The first hour of this movie is terrific. De Niro gives a moving performance as a man who is wise to the world and sees things in his young colleagues that they themselves are oblivious to. There are humorous moments--my favorite being when Ben gives the young guys dating advice. Truly, the first act is full of meaningful and moving testaments to the realities of aging and changing generations. One of the saddest scenes is when Ben goes to a funeral, and it is pretty much the main social event for him and his friends. This scene resonated with me after watching this same situation happen to my grandmother. I truly loved Ben's character and found him both so sad and so loving. De Niro gives an already terrific character some substance. (I mean, it is Robert freakin' De Niro....)


Jules shows Ben how to use Facebook.
Anne Hathaway is well cast as the ambitious Jules. She's a bit of a hot mess, always forgetting her schedule and in great need of someone to appreciate her success and hard work. I found Jules very relatable, especially in her main conflict: her husband, Matt, is a stay-at-home dad to their daughter; as a result, he feels like Jules is spending too much time with her company and has encouraged her to hire a CEO to take over her company, alleviating much of the stress she endures. The depiction of marriage felt very true until the third act, which I will get to soon. We see Jules coming home and trying to put her daughter to bed, only to fall asleep as the girl reads to her. She and Matt are usually out of sync about spending time together or having sex. In addition to this, Jules faces harsh scrutiny from fellow mothers, co-workers, and CEOs she interviews for being a working mother. Soon into his internship, Ben becomes her driver and observes much about her life--the most upsetting being his witnessing Matt meeting a girlfriend. Ben gives her advice and respects her in a way no one else in the film does--not even her parents. He encourages her to reject this CEO idea and take credit for her own success. It's a beautiful relationship and what is really at the heart of this film. 

Truly, The Intern is wrestling with a number of important and timely issues: aging, gender, generation gaps, traditions, the changing economy, and feminism, among many others. I enjoyed the first half and laughed heartily at some of the antics--ones that can only come from Nancy Meyers. I was moved deeply by Ben's compassion and his wisdom. All of that being said, though, this film has too many loose ends and just does not gel in the third act. 

Throughout this movie, I felt I was watching a first draft of a classic. There was so much potential here, considering the themes, conflicts, and talent involved. Yet, there are too many story lines introduced and not followed through. Rene Russo plays Ben's love interest, but she's only in the film for maybe ten minutes. Jules's mother is cruel to her, and Jules has a rocky relationship with her parents; yet, we only hear two conversations between Jules and her mother on the phone. We don't even see the mother, let alone learn what lies beneath this conflict. All we do know is Jules's parents are sleep researchers, and Jules appears to have a serious sleep disorder. Neither of these elements is ever developed enough, though, and end up feeling tacked on. 

To me, the plot device that rang the least true was with Matt. The fact that he was having an affair felt very real, and I was actually glad Meyers decided to go that route. It brought another layer to Jules's inner conflict and enriched the drama of the film. Its resolution, however, was less believable: Matt returns to Jules, and their marriage is restored. While this may feel satisfying on some level, the film actually contradicts itself here. Jules already knew about the affair before Ben tells her. They discuss it while traveling to California to meet a potential CEO. When Jules says she just wants her marriage to go back to what it was before, Ben cautions her that that is not possible; he tells her he has almost never heard of a marriage surviving cheating. Why have this deep conversation only to wrap up the marriage with a bow? If Meyers had written this situation more truthfully--maybe have them agree to counseling, at the least--it would have felt more believable. As it stands now, it feels forced and cheesy. There is nothing in the movie to suggest Matt feels guilty or remorseful. In fact, there is little to suggest he even respects his wife and her success. 

The flaws aside, The Intern is worth seeing. If you're a fan of romantic comedies or just enjoy a sweet, light-hearted movie, then this is for you. It has a lot to offer in spite of its shortcomings, and the first two acts are really great. 

Grade: B+

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